Dear Michael,
I am an American conductor, living and working in Europe these 20 years, and a big fan of yours. Having just read about your upcoming film projects, I'd like to know whether you have definite plans regarding the soundtrack style. (Worst part of the LOTR films, aside from bad added dialogue, was the platitude laden score.) IF Elric is to have any symphonic embellishment, then I'd like to be a part of it (yes I also compose on occaison, when I'm not conducting Mahler, Bruckner, Verdi, Mozart etc).
I rarely browse the internet, but today I have a cold, and finding this site has brightened the day considerably.
If you have any interest, please let me know. (NB: my filmscore heroes are Waxman, Steiner, Auric and Herrmann..... and I believe Swords and Sorcery needs something operatic, written by someone who knows 19th cent. music rom the inside.)
Best regards and bonne chance with the film studios -
Michael Hurshell
(I originally posted this to "Rock and Roll", but thought it might reach you quicker here.)
I am an American conductor, living and working in Europe these 20 years, and a big fan of yours. Having just read about your upcoming film projects, I'd like to know whether you have definite plans regarding the soundtrack style. (Worst part of the LOTR films, aside from bad added dialogue, was the platitude laden score.) IF Elric is to have any symphonic embellishment, then I'd like to be a part of it (yes I also compose on occaison, when I'm not conducting Mahler, Bruckner, Verdi, Mozart etc).
I rarely browse the internet, but today I have a cold, and finding this site has brightened the day considerably.
If you have any interest, please let me know. (NB: my filmscore heroes are Waxman, Steiner, Auric and Herrmann..... and I believe Swords and Sorcery needs something operatic, written by someone who knows 19th cent. music rom the inside.)
Best regards and bonne chance with the film studios -
Michael Hurshell
(I originally posted this to "Rock and Roll", but thought it might reach you quicker here.)
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